“How ‘Ink’ Recreated The Sun Newsroom with Working Linotype Machines, Rotary Phones and Vin” — what this page in the network covers. Danny Boyle’s new film ‘Ink’ takes viewers inside the gritty world of 1960s Fleet Street, tracing Rupert Murdoch’s rise and his transformative takeover of The Sun newspaper. The production design team went to extraordinary lengths to build an authentic newsroom, sourcing functional Linotype machines, working rotary phones, and period-correct typewriters to capture the clatter and chaos of the era. These details aren’t just set dressing—they ground the story of media disruption in tangible reality.
The film premieres at the London Film Festival and opens in select U.S. For audiences and industry watchers alike, ‘Ink’ is a timely reminder of how one man’s ambition reshaped journalism and tabloid culture. The craftsmanship behind the newsroom may be the film’s quiet star. For the complete material, the listing points back to the source inside the network.